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My Name Is Virginia Stella & This Is My Personal Journey
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SL20B
[en] (italian version below) My “Pagan Evocation Fantasy” debuted on Aug 26th 2022, and practically immediately after I did it again, giving birth to “Pagan Evocation Fantasy – Enanched Version”, which was so successful. Replicated 4 times in 4 different sims, conventions, theatres, and important clubs.Now, it’s time for retire this version, and finalize a new one (the last, I hope, before my “next generation show” ready for the summer).The new version is “Pagan Evocation Fantasy – SL20B Edition”, and it’s a special edition. Yes, because it will be shown (rolls of drums) at celebration for the 20th SL Birthday!Ok,
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Now or Never
“Now or Never” is out. It’s a machinima movie about environmental disaster that is happening on Earth.Filmed in Secondlife in Officina dei Sogni Sim. With: Abby Rose, Alex Cat, Ambra Starlet, Clarissa, Epona Exonar, Essence Aries, Jophiiel Becker, Lola Nippo, luismi Edring, Lyra Breil, Marusya Akina, Morticia1069, Musa inFabula, OdetteBK, Sitlan Breil, Virginia Stella, Zee Zee Subject, scenes and editing: Alex CatDirector: Virginia Stella Music: Rammstein, “Mein Herz Brennt”
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2022. Un bilancio più che positivo
Un altro anno di simulazioni e di Secondlife è passato. E’ ancora tempo di guardarsi alle spalle e di fare quale riflessione sul come sta andando, e come sta crescendo, la mia esperienza in SL.All’inizio dell’anno, in joint venture con altre persone che gestiscono la troupe di cui facevo parte, abbiamo riflettutto prima di tutto sulla convenienza di avere una nostra Sim. Si chiama “indipendenza territoriale”. Se si vuole sperimentare e cercare, dopo 19 anni di Secondlife, di proporre qualcosa di orginale, servono due cose: land e prim.Così, facendo anche uno sforzo economico iniziale, abbiamo selezionato una private island e ci siamo trasferiti
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MST, manuale italiano. 1. Strumenti di rezzing
1. Premessa Una sim in SL è un riferimento cartesiano, solo che è a tre dimensioni.Tutto funziona in un sistema di coordinate.Per far funzionare un sistema di coordinate, bisogna stabilire quale è l’origine degli assi.L’origine degli assi è il Centerpoint. Per questo motivo va rezzato sempre un Centerpoint, e va rinominato per evitare confusione di coordinate nel caso in cui ci siano più centerpoint presenti.Quando si fanno i test, va bene il centerpoint rinominato così come è. Ma negli show, è buona norma settare il centerpoint “bloccato” e renderlo invisibile.Esempio: io metto il centerpoint a centro palco, o al centro dell’area
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Ogni inizio racchiude una magia (Breaking the wall). It’s ready!
[english text here, italian text just below] We just did the full practice and the general rehearsal, and everything worked good. So, everything seems ready! The Officina dei Sogni international dance company in SL is ready for the debut in a Real Life theatre! For north italian and south swiss people, the date is not in a Sim, but this time it’s in Real Life at Teatro Comunale San Teodoro, via Corbetta 7, Cantù (CO), on November 13th 2022 (it’s sunday!), at 5pm (17.00) Europe time. Two professional real life musicians (but active in SecondLife too) will perform live music in the theatre, and on
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Breaking the wall: our first rehearsal
[en] We have already introduced the show Breaking the wall: every beginning contains a magic.The works are progressing, as we get closer to the date of the debut in the San Teodoro Theater in Cantù (Italy) on November 13th 2022. The final line up is ready, as well as the troupe that will be formed by Sagia, Epona Exonar, Lyra Breil, Naar Rexen, Lola Nippo, with live music in both RL and SL by the musicians Paola Tezzon (represented in world by Musa inFabula) and Giulia Larghi (represented in world by Virginia Stella), and with the support of the narrator of Alex Cat.All the scripts for the collaboration by the
About Me
Hi, My Name Is Virginia Stella
Mathematician and modern dance instructor in Switzerland, she has found in the Secondlife Metaverse the way to combine both of her passions. LSL scripter, she is the author and designer of all the animations she uses, the author of the scenic sequences, she has already choreographed and directed a large number of classical and modern dance performances in Europe and North America. She recently confessed that she would have preferred to be a cartoon director in life, and that with the Metaverse she has achieved the same goal. She is the co-founder of Officina dei Sogni, where she is in charge of directing, art direction and casting. In addition, she actively collaborates with some US virtual theaters.
